Head Explodes!!!

That title was going to be my full post for this week...just "this week my head exploded" - which is about where things are going. It's a full week with my new visual media conference, Intersect, happening this Friday and Saturday...and also on Saturday the opening of the Mandala Project.

The biggest thing I learned this week - art is about solving problems. Whether it's figuring out how to make an image work,  how to install an artwork or find a back-up for a presenter that had to leave early...it's all about solving problems. If you think of making art that way, you'll get less frustrated by the challenges that continually arise.

In addition to participating in the Mandala Project, I decided to create a catalog for the show, the basic layout is in the two images below...it's still in the beginning stages with a spread for each artist and then at the bottom are four pages of bios with our individual mandalas. It will be a great promotional piece and it allows us to document this project.

Here's a video of us during last week's installation. Trying to figure out how to install 17 works, many of which involved 2 and 3d material, video and sound was challenging. Yet, through it all, everyone maintained a fairly good vibe and I think the final result will be amazing. 

Searching for a solution

Year before last I was invited to join a group of 15-17 artists who were working on collaborative projects. I missed their first go-round and started in the middle of their current project - which is based on the concept of a Mandala. Each artist started with a piece - the first step of a work and then it passed to the next...and so on, until completion.  You get about 6 weeks to work on each piece and towards the later part of the project, often you'd find that you had to pass on the piece when it got to you because it felt finished. Now we are having an exhibition of the series - and included in the show will be an individual mandala for each of us in our own style.  

The above image was one of my first tries at the individual version...but what it had in symmetry, it lacked in meaning and I just couldn't continue with it. When you're working with a concept, it's important to not be too confined by the literalness of it, or how others have interpreted it. I decided to focus on the idea of four doorways imagining that it was something I could view from another angle. 

This was one of my first tries. The archway came out of a building that I was using in another shot and I loved the light and airy quality it had...but felt the layout didn't really work. Finally, I continued with the idea that I would not make a mandala from an overhead view, but would see it as something towards the horizon - to strive for.

This "room" felt right to me and I loved the dark shadows the front and back curves made on the sand...then came the real problem...perspective for the side curves! When I create constructed images one of the first things I do is draw out all of the perspective lines so I can see how to fit the new objects in from a single viewpoint. The problem was, how would the shadows work on the sides as they connected the front and back surfaces? If this had been a straight rectangle, I would have been fine...but it was the arches that really threw me.

After many attempts to figure it out...I gave up and went to the literal! Cutting out the arches from a photo, taping them together onto a white sheet of paper and sitting them in the sun to photograph how curved shadows moving towards a vanishing line actually look. Having the "maquette" really helped me understand how it worked. The shot I used was taken from a much lower angle to simulate the viewpoint from the photo.

This shot let me know how the shapes work, but the shadow would be way too long to fit into my photograph, so I placed the whole thing onto a large box and tilted the angle to shorten the shadow since I wasn't going to wait for the sun to rise to the correct height.

Finally, I started lowering the camera to get a better sense of how the perspective would change and flatten in my image.

For my final piece I'm still deciding how I want to crop it, whether or not to include the figure...but hey, I have until Friday to figure that out (yes, that's tomorrow). This weekend we install 17-20 works (some ended up evolving into multiple pieces) which should be quite the experience!

Join us the following weekend for the Opening Reception:

Saturday, May 9th, 5:00pm - 9:00pm
The Mandala Project
SCA Project Gallery
281 S. Thomas Street, #104
Pomona, CA

If you're on Facebook, here's the event page.

Having an Exhibition

 

This past weekend I was in Sacramento for the opening receptions of my exhibition at Viewpoint Photographic Art Center. They had a Friday reception for their members - which was very lively. The group has been in existence for over twenty years and they have a very active membership. They produce over 24 shows a year, host workshops, artist talks, critique groups and a student night...pretty impressive. 

On 2nd Saturdays, the city has an enormous Art Walk from 5-9pm...and we did the entire gig. It was quite something to have continual waves of people coming through the gallery.  I got to talk with people who'd never been to a gallery ("my wife made me come") to seasoned artists who make sure they know what's going on in the local art scene. My favorites were the ones who took the time to really look at the work and I had some great conversations about how I work, why I use repeating themes, what my goals are etc. 

I'm happy to say, we had both print and catalog sales. I had discussed the gallery's previous history of sales to get an idea of what the market was like and I created a catalog of the work for viewers without deeper pockets. Here's a link to the publication - and right below it are one from my American Triptych series and my Multiple Viewpoints series.  On Sunday I gave an artist's talk about Creativity - which got a nice group of about 25 people. Overall, we loved being in Sacramento, it's a great hybrid of a small town and large city. It's very easy to get around, has great restaurants and it's super easy to get out of town. They have four community colleges in their district, plus a university...and Davis is just a stone's throw away.

When I was in grad school, one of my instructors talked about how many "art worlds" there are out there and this weekend really got me thinking. Living in a larger metropolitan area, buyers can become jaded - but when you get a bit further out, the quality of the work is still amazing, but there seems to be a more direct line to people who want to buy art. Consider this when you're putting together your "hit-list" of places you'd like to approach for a show...